Debajehmujig 6 Foot Festival pays homage to the ‘Four Kingdoms’

LOOKING BACK, HOPE FOR THE FUTURE––Sheila Trudeau’s land-based piece explores intergenerational trama and its ripple effect on today’s generation. The house at the centre of the installation contains a mat with words laid on the ground representing intergenerational traumas, such as residental schools and the 60s Scoop which have been “swept under the rug” by society. The bucket of water symbolically pours water onto the words under the mat, washing away negative elements in hopes of a positive change.   photo by Robin Burridge

MANITOWANING—Debajehmujig Storytellers’ 6 Foot Festival was held over Thanksgiving weekend and boasted a wonderful collection of work exploring the theme of the Four Kingdoms: mineral, plant, animal and human.

The festival started last Thursday night with a screening of the documentary ‘Seed: The Untold Story,’ part of the Taggert Sigel trilogy of food documentaries, with a discussion following.

Friday night’s activities included a community feast and a Debaj Cabaret, featuring a collaborative creation by Debaj students and seasoned performers exploring the Four Kingdoms.

Kady Peltier with her 6 Foot Festival installation a “tranquil space,” with leaves cascading from the ceiling.

The installation Ariki Ali’I consisted of a music and video collaboration between artists Zanskar Ianusi, Brandon Lee Jason Shawana and Abbey Jackson.

“I filmed Brandon as he explored Manitowaning Bay and interacted with different elements,” explained Ms. Jackson, who is from Toronto. “It is a sensory experience of people’s interactions with the kingdoms. I recorded basic shots of the bays as well as sunrises and underwater.”

Ms. Ianusi’s song was, “composed with the four kingdoms in mind with the percussion building on the animal and mineral kingdoms using the rocks and skin drum instruments,” explains a description of the project.

Samantha Brennan’s piece represents each Kingdom and is
exclusively made of materials from the Kingdoms, while also
containing pieces in a visual context.

On Saturday there was a lunch with land-based workshop presentations going throughout the afternoon from artists and community members. In the evening there was a community jam session and potluck.

Samantha Brennan is a multi-disciplinary artist from Port Colborne. Her piece represents each Kingdom and is exclusively made of materials from the Kingdoms, while also containing pieces from all Kingdoms in a visual context.

Contained in three walls, one wall is created from a tanned hide and painted with blood, representing the animal kingdom; another wall is a large piece of bark painted with hoof and animal prints representing the plant kingdom; a sculpture of hands made of clay from the Debaj garden incorporates the mineral element; while the human element is those who interact with the piece. Ms. Brennan has stations (hide and blood, natural pigments and bark, and clay) set up along the perimeter inviting others to add to the piece.

Dance Machine encourages the interactive exploration of the
kinetic sculpture.
photos by Robin Burridge

“I am hoping that others will help build the piece throughout the festival,” said Ms. Brennan as she set up the exhibit last Thursday.

Garrett Corbiere of Wiikwemkoong chose to work with acrylic on canvas for this contribution to the festival.

“I have been exploring acting, improv, beading and painting during my internship with Debaj,” Mr. Corbiere told The Expositor. “It has been a great experience. For this project, I wanted to paint and I represented each of the Four Kingdoms with separate paintings and then did a final piece incorporating them all.”

“When all Four Kingdoms reside with each other, it gives us the beauty we see every day,” he noted. “The Four Kingdoms is creation, and us as humans, one of our greatest gifts is to enjoy creation.”

Sheila Trudeau, also from Wiikwemkoong, explored teachings she had learned from Debaj and the heritage of her family, going back generations, through a land-based interactive piece.

“I originally envisioned a painting,” she shared. “The women (made of hay) represent my family going back generations and are connected through a cord representing an umbilical cord. What happened going back generations has a ripple effect and effected my grandfather (a carved statue of a woman made by Ms. Trudeau’s grandfather) and today’s generation.”

At the centre of the connected statues is a house with a mat. Ms. Trudeau lifted the mat and used a broom to swept words laid on the ground under the mat, representing intergenerational traumas, which have been “swept under the rug” by society. A bucket of water symbolically pours water onto the words under the mat, washing away negative elements in hopes of a positive change.

Garrett Corbiere of Wiikwemkoong with his acrylic on canvas pieces representing the Four Kingdoms.

“The water represents positive aspects such as art, talking, sharing and forgiveness which will lead to healing and help us move forward,” said Mr. Trudeau.

Kady Peltier attempted to create a “tranquil space” with her installation. Leaves cascade from the ceiling as a projection of the Four Kingdoms plays in the background and a small fountain brings forth the sound of serenity.

“I wanted to create a calm space where people could relax and reflect on nature and the Four Kingdoms,” said Ms. Peltier.

Dance Machine was set up throughout the festival with artist Lee Su-Feh encouraging the interactive exploration of the kinetic sculpture that can be transformed into multiple configurations by the actions and movements of the bodies within it. Created out of 64 pieces of bamboo suspended from a central copper disk, batteryopera.com notes the sculpture “can be moved independently by artists and audience members to create an immersive experience.”

“We invite people to explore and engage with the piece and each other,” said Ms. Lee Su-Feh.

The 6 Foot Festival concluded last week, but there are always new and exciting projects at Debaj. For more information call Debajehmujig at 705-859-1820 or visit the Debaj website at debaj.ca.

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